{"version":"1.0","provider_name":"Classical Music","provider_url":"https:\/\/www.euroresidentes.com\/euroresiuk\/classical-music","author_name":"Bryan Rippin","author_url":"https:\/\/www.euroresidentes.com\/euroresiuk\/classical-music\/author\/bryan\/","title":"Beethoven's Late Quartets 2 - Classical Music","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"QBzcZJipt3\"><a href=\"https:\/\/www.euroresidentes.com\/euroresiuk\/classical-music\/bethovens-late-quartets-2\/\">Beethoven&#8217;s Late Quartets 2<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.euroresidentes.com\/euroresiuk\/classical-music\/bethovens-late-quartets-2\/embed\/#?secret=QBzcZJipt3\" width=\"600\" height=\"338\" title=\"\u00abBeethoven&#8217;s Late Quartets 2\u00bb \u2014 Classical Music\" data-secret=\"QBzcZJipt3\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"The Grosse Fugue is a single-movement composition originally intended as the final movement of his Opus 130 quartet. Strongly advised by his publisher to sugar the pill by adding a new finale, he decided the fugue would be quartet on its own. As his Opus 133. There are four sections to the 20 minute work, so on paper at least there is the appearance of a sonata. Famous for its extreme technical demands on the players as well as for its unrelentingly introspective nature, it remains a problematic work and &#8211; for me \u2013 hard work. But very worthwhile, and"}