{"version":"1.0","provider_name":"Classical Music","provider_url":"https:\/\/www.euroresidentes.com\/euroresiuk\/classical-music","author_name":"Bryan Rippin","author_url":"https:\/\/www.euroresidentes.com\/euroresiuk\/classical-music\/author\/bryan\/","title":"Art Music of the Renaisance II - Classical Music","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"7XnCpZBy8R\"><a href=\"https:\/\/www.euroresidentes.com\/euroresiuk\/classical-music\/art-music-of-renaisance-ii\/\">Art Music of the Renaisance II<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.euroresidentes.com\/euroresiuk\/classical-music\/art-music-of-renaisance-ii\/embed\/#?secret=7XnCpZBy8R\" width=\"600\" height=\"338\" title=\"\u00abArt Music of the Renaisance II\u00bb \u2014 Classical Music\" data-secret=\"7XnCpZBy8R\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"There would be no musical inheritance from the great composers of Europe without patronage. In wealthy homes, as we noted last time, and even more with support from the Church, musicians worked to provide new sounds for the diet of regular worship in the chapels of noble families and in the great new gothic Cathedrals of the continent and the New World. Cristobal de Morales (1500?-1553) was one such man. Born in Seville, trained there as a boy singer, he became chapel master of the Avila Cathedrals and of Plasencia. Already a priest, he entered into the Papal Chapel in"}